I work in our wash house which we converted into a painting studio for me. Though it's very well insulated, it's unheated, so I can only paint when the weather is warm enough and fairly dry. My painting season stretches from around May through September, and in this time I have to paint all the models to be sold throughout the year.
|
After the shells are dry, I grab a bundle of my painty wires, pop the wire through the tail hole, out the neck hole, and twist it into a hanger. The Wash House has wire pony lines stretched across the back section and a line stretched beside the painting box.
|
|
Safety first! I always wear a mask and headgear (my air compressor is at my feet and it's very loud!) I've scared the postie a few times with this get-up.
|
|
This is my workhorse brush. It's a RJ-Global from eBay. It's a very inexpensive brush and is very similar in design to the Iwata. I use it for priming, white-coating, and clear-coating. I decided on the trigger grip to give my hand a rest as the above processes involve running the brush at one pressure for a long time.
The only thing I really dislike about this design of brush is the size of the nozzle tip - it's about the size of a grain of rice!
|
|
Priming is such a boring process that I like to have a little fun experimenting with markings on the coloured plastic.
|
|
I liked this colour so much I decided to use it properly on a later model.
|
|
After a batch of models are all primed, I hang them in the back to dry. I usually have 20-30 models going at one time.
|
|
My precision brush is a Badger Patriot Xtreme Arrow 105. This is my new brush as my first one died at the beginning of this painting season. I get all of my Badger supplies and parts fro Barwell UK Airbrush Supplies.
I find this model very easy to clean and break down. It can make a wide spray or a very narrow line and is very responsive without being too moody.
|
|
I prefer to use Liquitex Professional Soft Body Acrylic paint. They have a wide range of colours and they thin well for brush painting and airbrushing. The new tube design is excellent as well - very little mess, easy to open and close, and great to re-use for custom mixed colours. I've yet to throw out an empty container.
I buy my paint online from either Cowling & Wilcox or Cass Art - depending on what sales are on and who has the most of what I need in stock.
|
|
Once a model has been primed, I let it rest for a day and then white-coat it. This can range from a full body coat to just a leg and the face, depending on how the model will ultimately be painted. If needed, I add a coat of pinking to muzzle and other soft areas.
After drying for a day, I use blue painter's tape and Ammo Ultra Liquid Mask (it's blue and I buy it on eBay) to mask off any markings.
This model has just had its first colour coat.
|
|
Blocking in the shading
|
|
Adding the second colour coat
|
|
Adding the third colour coat
|
|
After getting the black coat and having the masking removed. I generally remove the masking a couple of hours after the fine colour coat.
|
|
Pinto models take a bit more thought. This one has had its white coat and has been masked to leave the areas to be coloured exposed.
|
|
The first colour coat has been applied
|
|
Here the second coat to the chestnut section and the first coat of the black section have been applied.
|
|
After spraying the black shading (a custom mixed colour I call "muzzle-black") and removing the masking.
|
|
Models which have been fully painted get sent to the storage shed to hang out until I'm ready to clear-coat them. This protects them from getting misted with paint dust in the Wash House and frees up space on the painting lines.
Clear-coat days have to be warm, but not hot, and with the humidity below 70% on my studio monitor, otherwise it can go cloudy or grainy. |
|
No comments:
Post a Comment